FOLLOWING ON from my recent post about neo-Ottomanism and Recep Tayyip Erdoğan receiving an award in Sarajevo, it seems that Turkish efforts in the Balkans extend beyond diplomacy. Turkish initiatives at preserving the architectural heritage of the Balkans were recently recognised. The SE Times reported in September on restoration works that the Turkish International Cooperation and Development Agency have been undertaking in various Balkan countries. As detailed in the SE Times article, a Harvard art documentation specialist, András Riedlmayer, highlighted the Ottoman heritage of the Balkans as the common heritage of all the Balkan peoples.
Such an observation echoes that of the historian Maria Todorova who remarked that it’s not a matter of looking for the Ottoman legacy *in*the Balkans, rather it is the case that the Balkans *are* the legacy of the Ottomans.
This idea, when considered alongside reawakening Turkish interest in the region, is likely to make plenty of people living in the Balkan states pretty stroppy, if not give them the willies… Balkan nationalists of all stripes swear black and blue that the period of Ottoman rule was one of unremitting woe and deny that there is any Turkish imprint in the cultures of the modern Balkan states.
It would be wrong to construe Ottoman rule as a period of universal bliss, but to insist that there was no cultural exchange, no fruitful impact, no mutual accommodation, that people who lived alongside each other for centuries had no appreciable, enduring, positive impression on each other is nothing so much as blinkered. To insist that a particular culture could have been in stasis for – in some cases – up to 500 years only to emerge undiluted, untainted by Turkish influences, once the Ottomans were expelled from the Balkans is just bloody mindedness.
Even as nationalists in the Balkans are doing their best to forget the Ottoman era, many a modern Turk is re-acquainting himself with the events and personalities of the same period. ‘Neo-Ottomanism’ also manifests itself as an awakening interest amongst Turks in their own recent history, a departure from the official line that has for so long highlighted ‘progress’ and ‘modernity’ and dismissed the past.
Turkey’s recent home-grown enthusiasm for Ottomanica is not without its own nationalistic offshoots. You can bet your boots that Turkish nationalists would be just as loud as Balkan nationalists in denying there was any Turco-Balkan symbiosis that contributed to their modern culture; they would state that Turkish culture is just that and nothing more – Turkish – and that centuries interacting with Greeks, Albanians, Serbs, Romanians, Vlachs, among others, contributed nothing. Of course, this position is just as implausible as that proposed by Serb or Greek nationalists. So while we can say that the Turks have left a sizable footprint in Europe it is also the case that Europe has left an indelible mark in Turkey.
Turkish nationalists’ re-imaginings of Ottoman history are sometimes highly revisionist. Soap operas and blockbuster movies take on a Disneyfied air. National stereotypes are clumsily drawn, goodies are implausibly noble, and baddies take venality to new heights…
The high-tide mark – as it were – of (Ottoman) Turkish expansion into Europe was on the outskirts of Vienna. The first tilt at Vienna was made under Süleyman the Magnificent in 1529, resulting in one of the few tactical retreats the Ottomans experienced under his leadership. Süleyman’s reign is the subject of a wildly popular TV series, Magnificent Century, which appears to boast many of the characteristics of a bodice-ripper and which has been viewed by enthusiastic audiences across Europe and Central Asia.
Meanwhile the path that Süleyman and his army followed as they advanced on Vienna has been designated as a long-distance walking route, the Sultan’s Path. Starting at the tomb of the sultan, at his namesake mosque, the Süleymaniye, in İstanbul it passes through Bulgaria, Serbia, Croatia and Hungary to end in the centre of Vienna. And while Süleyman’s route was a means to a military confrontation, the newly designated trail is intended as a “path of peace, a meeting place for people of all faiths and cultures”.
The Sultan’s Path is one of many long-distance paths in Turkey. The names of some of these trails – St Paul Trail, the Lycian Way, Abraham’s Path, Via Egnatia, among others – reveal the Greek, Roman and Biblical legacies of Anatolia and the cultural impressions laid down in Turkey *before* the arrival of the Turks in the 11th century.
The most recently opened path is a cultural route in İznik. It is hoped that this will become a catalyst for slow and sustainable tourism in the area. It will allow people to travel at ground level, so to speak, feeling the rugged hide of the Earth beneath their feet. And as part of the European Institute of Cultural Routes’ network of paths that stretches across Europe, it may well demonstrate the interconnectedness of Europeans of all persuasions who for countless centuries have been striking out on foot to destinations distant and encounters unknown.